The Sun Also Rises Report Essay -- essays research papers fc

Hemingways Hero Of the segments of American society scarred by the bruise of the First World War, the damage was most severe amongst the younger generation of that conviction. Youthful and impressionable, these people were immersed headlong into the furious medley of death and devastation. By the time the war had ended, many found that they could no longer accept what now seemed to be pretentious and contradictory moral standards of nations that could be capable of such atrocities. round were able to brush off the pain and confusion enough to get on with their lives. Others simply found themselves incapable of existing under their countrys thin fa fruit drink of virtuousness and went abroad, searching for some sense of identity or meaning. These self-exiled expatriates were popularly kn proclaim as the Lost Generation a term credited to Gertrude Stein, who once told Hemingway Thats what you all are. any you young people who served in the war. You are a lost generation&8230 You h ave no respect for anything. You drink yourself to death.1 Many of these individuals tended to settle in Paris, a suitable conduit finished which to pursue their new lifestyle. Content to drift through life, desperately seeking some sort of personal redemption through various forms of indulgence, these people had abandoned their old value system and heroes, completely to find difficulty in finding new ones. A great direct of new literature was spawned in an effort to capture the attitudes and feelings of such individuals to reinvent a model of sorts for a people sorely lacking any fitting standard to follow. At the forefront of these writers was Ernest Hemingway, whose Novel, The Sun Also Rises, became just such a model, complete with Hemingways own definition of heroism. Many of the characters in the novel delineate the popular stereotype of the post WWI expatriate Parisian wanton and wild, with no real goals or ambitions. Mike Campbell, Robert Cohn, and Lady Brett Ashley, and even the protagonist Jake Barnes all instal some or all of the aforementioned qualities throughout the novel. All seem perfectly content to exist in their own oblivious microcosm, complete with their own unique set of moral values. While the qualities of these characters dominate, to an extent, the flow of the novel, it is important to acknowledge their contrast to Jake and the bullfighter, Pedro Romero. U... ...than an escape from the trappings of real life. Just like Belmonte onward him, Romero is eventually apprenticed to deteriorate, and to be faced with an outside world that has no room for chivalry (as Robert Cohn found out). While this happens, we can assume that Jake Barnes will continue as before confident and self-assured, with a clear understanding and acceptance of his limitations. Jake is Hemingways hero for a new age in which the old standards of chivalry and romanticism are sort of dead. Brett understands this partially, and demonstrates so by her inability to co mpletely fall out of love with him, but she is still driven on by a promise of something more. Something that she saw, if only fleetingly, in the young Pedro Romero. Something that only exists in legends, storybooks and bull-rings. Works Cited Hemingway, Ernest. The Sun Also Rises. Ed. Simon & Schuster Inc. New York. 1926. Author Unknown. The Kaplan Calander of Events. http//www1.kaplan.com/view/calendar/event/preview/1,270,715-3,00.html 1999. Monahan, Kerrin, Ross. Dramatica Storytelling Output fib . The Sun Also Rises. http//www.dramatica.com/dCritiques_folder/dAnalyses_folder/the_sun_also_rises.html 1998